on location
This is serious - or should I say, practical - gear talk. It’s the result of multiple successful and failed efforts to take light on location (and I do not mean a city centre - I’m talking rocky outcrops in the middle of the savannah and underground rocky tunnels), what worked and what didn't and, more importantly, why. And, finally, the final kit I am currently using for everything.
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Three generations of Hamer warriors, Omo Valley (1200ws at full power, 120cm octabox, camera right)
2020 has certainly been an insanely challenging year for all of us - for photographers a time for introspection, of rethinking a million billion things, of looking back and forward, of finding new creative avenues and pathways. Stuck inside our homes, cut off from our clients, our models and our muses, unable to collaborate with all those people who give life to our ideas we were forced to look back to our past work and, in more ways than one, reevaluate it. At least, that was what I did and it led me to, well, think differently.
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